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Romanian pianist
Music as
a faithful companion
By Martina Law
Published September 2005
She was born in 1972 in Cluj
Napoca, a city in
Transylvania, Romania. “It’s a
beautiful city. It has a lot
of German and Hungarian
influence. It’s quite
cosmopolitan.”
I’m
talking to Oana Rusu Tomai, a
native Romanian, who has been
living in the States for
almost ten years. She lives
together with her husband,
also Romanian, in Bellevue
where she teaches piano.
Tomai
started to play the piano at
the age of five. “I had a
grand piano since I started
talking, it was there,” she
says. Her parents are no
musicians, Tomai explains, but
they’ve always loved the arts.
“My parents were pleased and
happy when I showed some
interest in [arts].”
Her
mother would take her to piano
lessons twice a week for one
hour. “To me learning the
piano was like learning to
read or to write. Music was a
big part of my days.” Tomai
tells me that her sister, who
now lives in DC, is also a
very talented musician.
When she
was a child in Romania, her
life evolved very much around
the piano and books. “My life
was so immersed in this
fantasy world. This world had
so much more reality for me
than that what happened around
me.” That what happened around
her, Tomai describes as “dark.
It was foreboding and pretty
dark.”
Romania
was under the rule of Nicolae
Ceausescu, the leader of
Communist Romania from 1965
until shortly before his
execution in December 1989. In
the 70s, he added “President
of Romania” to his title.
In the
60s Romania ended its active
participation in the Warsaw
Pact, though it remained a
member. In 84 it was one of
only two Communist-ruled
countries that took part in
the American-organized Summer
Olympics. Also, Romania was
the first country that had
official relations with the
European Community (EC).
However, Ceausescu opposed any
liberal reforms, and Romanians
were closely watched by its
secret police Securitate.
“It was
an invisible threat,” says
Tomai, when talking about
Securitate. “I think what was
really interesting about the
Communist era was that
sometimes you couldn’t put the
finger down on the evil. It
was everywhere, it was
looming. You knew you were
observed. You knew if you did
something you could get into
trouble.”
During
the 70s Romania became more
open. It was called the Golden
Era. “The country was more
liberal, and we became more
like Czechoslovakia and
Hungary.” She says that more
books were available on the
market.
“But then
things tightened up. The
Communist view was imposed and
nothing else was tolerated.”
During those times, art was
neglected in order to promote
“the idea of a scientific
modern man.” Tomai adds,
“Industry became a huge thing
in Romania. They started to
build that good-for-nothing
industry. And it was harder to
find books on the market.”
As a
child, Tomai attended a school
of arts, but even there
“mathematics, chemistry and
physics took up a huge amount
of time.”
The fall
of the Communist regime in
1989 came to many in Romania
as a surprise. Tomai states
that following the death of
Ceausescu, fear spread. “We
immediately thought of how
this is going to affect us
because of the oppression we
experienced in the past. We
knew how merciless [Ceausescu]
and the regime were. We tried
to protect ourselves.”
Those
were tumultuous times, and
Tomai says those times were
the closest she has ever
gotten to war. “Women and
children stayed inside the
house. Only my father would
buy groceries, but it was
dangerous. You could hear
guns. There were tanks in the
middle of the streets and dead
people on the pavements. We
feared repression.”
Tomai
says that democracy didn’t
come easy to Romania. She
describes Romania as a country
that “suffered a massive
stroke, and it had to come
back to life. It had to learn
patterns of speech. That would
be the speech of democracy.”
Slowly
Romanians got a taste of what
democracy means. Tomai speaks
about traveling. “I remember
when I first went to Austria,
my first impulse was to kiss
the ground. If you let young
people out of the cage, you
get this really strong
emotional feeling.”
Her move
to the United States was
mainly a professional
decision. Tomai states that
the instructions she received
in Romania were professionally
and very good. “My sister and
I had the opportunity to go to
the United States [on
scholarships]. I had to expand
my horizon.”
In the
States, she continued to study
music and piano. First, she
received her master’s degree,
later her PhD. At some point,
Tomai realized that she and
her husband didn’t want to
return to Romania. “The
country was in turmoil. I knew
I wasn’t able to get a job
back in Romania.” They both
participated at the Green Card
lottery and won. “We are
Americans,” she says with a
laugh. But Tomai considers
herself a world citizen.
Throughout her experiences,
music has “stay[ed] with [her]
through good, through bad,
through anything. It’s a very
faithful companion.”
And then
she adds, “I feel that I’m
necessary in this [American]
society, and this is a good
feeling. I’m necessary in a
society like this where
consumerism is so huge. There
is a huge need for people to
go in a different direction.”
Oana Rusu Tomai can be
contacted at
oanapiano@hotmail.com
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